Skip to main content

Chapter One: The Bedford Book of Genres

Katherine Kumpf
ENC 2135
January 11, 2018
                       

            Chapter one of the Bedford Book of Genres introduced what exactly genres are, rhetorical situations, the purpose of compositions, and modes and media. Genres give us the ability to categorize types of compositions. For example, movies are a part of a motion picture category. Within this category there are topics like romance, comedy, science fiction, and horror. Genres are relatively flexible, and change on how a person uses them in their daily life. A rhetoric is defined as how to communicate effectively, with a purpose. There are rhetoric’s and rhetorical situations. Rhetorical situations are contexts that a person creates a composition. Rhetorical situations are used when a writer knows what the audience wants to hear, and writes exactly that. There are three reasons we write. The three reasons make up the purpose of writing a composition. One, to tell a story. Secondly, to inform an audience about a topic. Lastly, to persuade the audience to believe your reasoning/opinion of the topic. There are modes and media that go along with writing a composition. A mode is how a composition is experienced by readers and listeners. The media of a composition is the mechanism of how the composition is delivered. Media can include printing, digital, and face to face encounters. Like the Harry Potter book series can be delivered through books, or through movies. To help persuade the audience, chapter one talked about ethos, pathos, and logos. Ethos is how reliable the writer is to the audience. Does the writer seem trustworthy or not when trying to persuade the audience members? Pathos are the parts of the composition that excited the readers emotions, morals, and values. Logos is the evidence that connects to the point that is trying to be proved. It’s the logical thinking. Chapter one created a foundation of how to write a composition, how to persuade a reader, and prove a point successfully.

Comments

Popular posts from this blog

Wysocki

This text showed me how us as readers perceive a certain font or text and how it can influence our mood and how we feel about a certain reading. It also showed me how elaborate texts can draw us into something such as a poster or a title page of a book. Also how very bland fonts do not appeal to many readers as they might think of it as boring and plain. This gives me a lot to think about as project three comes closer. It makes me think of the reader and what type of fonts might draw them into my website, social media page, etc. This text was very helpful for this type of assignment.

Subversion and Redemption. Rachel Klahm

1. Some subversion examples the author mentions are Max in  Where the Wild Things Are and Don Quixote. Other movies that are subversions are  A Haunted House and WALL-E. WALL-E is a subversion because it's a light hearted cartoon with a much deeper meaning. Humans have abused planet Earth with industrial corporations to the point where they must abandon it until robots have cleaned it up. The moral lesson is that technology and industry are bad and if we continue on the path we're on, the Earth will turn into the trash ridden world that is in WALL-E. Despite this, the film is still pro-human. Compared to the usual "humans are bad for nature" lesson, WALL-E  actually shows why Earth needs humans. The movie has no real dialogue from anyone, just robot sounds and intercom voices on the ship that the humans live on. When WALL-E   meets Eva they ask each other "Directive?" which basically means "What's your purpose?" Each robot in the film has a dir...

Action Plan

Haley Ketchum My plan is to finish my three genres and finish my website. My website is nearly finished, but still needs a few touches to make it look good and work efficiently. I’m still unsure of how I am going to do my three genres. I forgot about how one of the three genres has to be non-digital, or a remediation, etc, so I need to replan my genres so they fit these requirements.